The film has to both justify and distinguish itself, fitting with what came before while finding something unique to say. Indeed, Toy Story 4 is cognisant of the fact that it must be an ending of a sort, but also a different kind of ending than Toy Story 3. Toy Story 4 is shrewd enough to understand that it can neither ignore nor repeat Toy Story 3. However, the smartest thing about Toy Story 4 is that it understands its position. This allows it a certain freshness and lightness on its feet. To a certain extent, Toy Story 4 feels – in terms of tone, plot and character – much closer to the original Toy Story than any of the intermediate films in the franchise. This provides a nice change of pace, even compared to the fun “toys mount a rescue” template of Toy Story 2. A lot of this is down to canny structuring Toy Story 4 is much less of an ensemble piece than any of the two previous films in the series, focused very tightly on Woody as its focal character. It is to the credit of Toy Story 4 that it justifies itself so effectively. So, quite apart from how funny and how thrilling and how clever Toy Story 4 is, it faces an uphill struggle. “This is the epic last go-round” is a card that is difficult to play in two consecutive movies. ![]() To quote another popular Tom Hanks vehicle from the nineties, it has to “earn this.” To a certain extent, Toy Story 4 exists in conversation with Toy Story 3, and with the notable handicap of being unable to play many of the same emotional beats as strongly. Because Toy Story 3 provided such a fitting ending, it is not enough for Toy Story 4 to simple be amusing or engaging. ![]() This creates an interesting challenge for Toy Story 4. ![]() The real Toy Story is the toys we made along the way.
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